Parabeln der Pflege: new translation of Parables of Care makes comic about dementia care available to German-speaking audiences

Cover of the German version of Parables of Care
Cover of the German version of Parables of Care

A new translation of Parables of Care makes comic about creative responses to dementia care available to German-speaking audiences

 

Download Parables of Care (original English version) from City Research Online, City, University of London: http://openaccess.city.ac.uk/18245/

Download Parabeln der Pflege. Kreative Reaktionen in der Demenzpflege, von Pflegenden erzählt [Parables of Care German version] from City Research Online, City, University of London: http://openaccess.city.ac.uk/21252/

This new German translation is also available to download from ChesterRep, University of Chester: https://chesterrep.openrepository.com/handle/10034/621804

Parables of Care. Creative Responses to Dementia Care, As Told by Carers is a research-based comic book originally published in English in October 2017.

Parables of Care has now been released in German translation, translated by Dr Andrea Hacker, from the University of Bern, Switzerland.

About working on the German translation, Dr Hacker said:

“I wanted to share Parables of Care not only with my family and the wonderful carers that help us but with a wider German-speaking audience: Alzheimer, dementia – these affect hundreds of thousands of families in the world regardless of language. Widely sharing our experiences of what works will give everyone a chance to make the best of the affliction – patients and families alike.”

[Read our Q&A with Andrea here].

The comic book was created by Dr Simon Grennan, from the Department of Art and Design, University of Chester, UK; Dr Ernesto Priego, from the Centre for Human Computer Interaction Design, City, University of London, UK; and Dr Peter Wilkins from Douglas College, Vancouver, Canada.

The short comic book includes 14 informative and touching stories, drawn by Simon Grennan with Christopher Sperandio, which were adapted from more than 100 case studies of real-life dementia care situations described by a range of carers. These case studies are available at http://carenshare.city.ac.uk/

The small international team looked to expand the accessibility of this archive of carers’ stories and found that by creating short graphic art stories they could portray the emotional power of these situations. Each story is only four panels and just one page long.

Unlike clinical descriptions, this form enhances the affective aspects of each story, putting the reader at the centre of situations that often verge on incomprehensibility, but which are all resolved. In this respect, each story is universalised and becomes a parable.

The book is available open access to dementia carers and the general public as part of ongoing engagement, training and development programmes at City, University of London, the Tavistock and Portman NHS Foundation Trust and The Faculty of Health Sciences at Douglas College, Vancouver, Canada.

About the Translator

Dr Andrea Hacker is an editor, translator and open science professional who lives in Switzerland where she works at the University of Bern. She has previously lived and worked in the US, Russia, Ireland and Germany. She was mentored in literary translation during her graduate studies at UCLA by Michael Henry Heim.

Download Parables of Care (original English version) from City Research Online, City, University of London: http://openaccess.city.ac.uk/18245/

Download Parabeln der Pflege. Kreative Reaktionen in der Demenzpflege, von Pflegenden erzählt [Parables of Care German version] from City Research Online, City, University of London: http://openaccess.city.ac.uk/21252/

Q&A with Andrea Hacker on her Parables of Care translation: https://blogs.city.ac.uk/parablesofcare/2019/01/24/parabeln-der-pflege-a-qa-with-parables-of-care-translator-andrea-hacker/

For more information, please visit: https://blogs.city.ac.uk/parablesofcare/

Press enquiries contact: John Stevenson, Senior Communications Officer, City, University of London

This post was originally published on the Parables of Care blog at https://blogs.city.ac.uk/parablesofcare/2019/01/24/parabeln-der-flege-parables-of-care-german-translation-release/

HCID Research Seminar: The Question Concerning Comics as Technology: Gestell and Grid. Implications for HCID

A. (2015). When the Last Story is Told. Malmo: C’est Bon Kultur. © 2015.
A page from Allan Haverholm’s When the Last Story is Told. Haverholm, A. (2015). When the Last Story is Told. Malmo: C’est Bon Kultur. © 2015.

 

Today I will give a talk as part of the Centre for Human Computer Interaction Design‘s HCID Research Seminar series.

Talk Title: The Question Concerning Comics as Technology: Gestell and Grid. Implications for HCID

Time: 13:00, Friday 23 November 2018
Room: AG11

Abstract:

In this presentation I will discuss recent research (Priego and Wilkins 2018) where we propose that the goal of the comics grid is to manage, dynamically, what we call “a potentially overwhelming sublime space” through a process of “enframing”. I will argue that this enframing continues to take place well beyond the printed page, and that therefore traditional comic scholarship approaches will need to continue adapting their focus to what new technologies reveal about comics. I will provide examples of how the notion of the  ‘page’ is getting continuously redefined by screen-based media and by comics reading applications.

 In this context, I will argue that fields concerned with screen-based media interactions, such as Human-Computer Interaction Design, should be expected to continue making important contributions to our understanding of comics, for instance, through methods of visual analysis where technology (such as eye-tracking) are used for evaluating how people interact with media. Understanding comics as a type of information architecture, with the grid as a particular type of interface design, can potentially provide different types of explanations of its effectiveness as a means to display and manage otherwise overwhelming volumes and types of information (see for example Kammerer and Gerjets 2010; Bach et al 2018; Tabassum et al 2018).

References

Priego, E. and Wilkins, P., 2018. The Question Concerning Comics as Technology: Gestell and Grid. The Comics Grid: Journal of Comics Scholarship, 8, p.16. DOI: http://doi.org/10.16995/cg.133

Kammerer, Y and Gerjets, P. 2010. How the interface design influences users’ spontaneous trustworthiness evaluations of web search results: comparing a list and a grid interface. In: Proceedings of the 2010 Symposium on Eye-Tracking Research & Applications (ETRA ‘10), 299–306. ACM, New York, NY, USA. DOI: https://doi.org/10.1145/1743666.1743736

Bach, B, Wang, Z, Farinella, M, Murray-Rust, D and Riche, NH. 2018. Design Patterns for Data Comics. In: Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems (CHI ‘18), 12. ACM, New York, NY, USA, Paper 38. DOI: https://doi.org/10.1145/3173574.3173612

Tabassum, M, Alqhatani, A, Aldossari, M and Richter Lipford, H. 2018. Increasing User Attention with a Comic-based Policy. In: Proceedings of the 2018 CHI Conference on Human Factors in Computing Systems (CHI ‘18), 6. ACM, New York, NY, USA, Paper 200. DOI: https://doi.org/10.1145/3173574.3173774

Convegno di studi: Ricerca scientifica, monopoli della conoscenza e Digital Humanities – Rome

As part of my Open Access Week 2018 activities, I will be doing an express trip to Rome on Wednesday 24th October 2018 to participate in the following event:

Convegno di studi  

Ricerca scientifica, monopoli della conoscenza e Digital Humanities. Prospettive critiche dall’Europa del Sud

La investigación científca, los monopolios del conocimiento y Humanidades Digitales. Perspectivas críticas desde el Sur de Europa

Università Roma Tre, 24-25 ottobre 2018

http://scienzepolitiche.uniroma3.it/blog/archives/21635

I also added the event to the Open Access Week 2018 events listing: http://www.openaccessweek.org/events/ricerca-scientifica-monopoli-della-conoscenza-e-digital

Twitter hashtag for the event: #DHPIIGS18

La investigación científca, los monopolios del conocimiento y Humanidades Digitales. Perspectivas críticas desde el Sur de Europa; poster en español
La investigación científca, los monopolios del conocimiento y Humanidades Digitales. Perspectivas críticas desde el Sur de Europa; poster en español

 

I am looking forward to being at Roma Tre again.

My abstract:

Oligopolios del conocimiento y acceso abierto: perspectivas desde el sur
Oligopolies of Knowledge and Open Access: Perspectives from the Global South

Dr Ernesto Priego
Centre for Human Computer Interaction Design
City, University of London, Reino Unido

[sp]
En esta presentación discutiré las razones por las que hablamos de “oligopolios del conocimiento”, detallando la concentración de actividad de comunicaciones académicas (en este caso publicaciones) a través de compañías editoriales con fines de lucro con base en el norte global, por autores con afiliación a universidades del norte global y en la lengua inglesa. Me referiré al trabajo que he estado haciendo en los últimos cinco años documentando y mapeando dicha concentración localizada y en su mayoría monolingüe (con énfasis en las humanidades digitales; Priego et al 2014; Priego y Fiormonte, 2016 y 2018) mediante metodologías de bibliometría alternativa (Alperin et al 2014) para a su vez llamar la atención a la correlación de los imbalances de esta concentración geopolítica (Graham 2011; Fiormonte 2017) con modos de diseminación cerrados de alto costo para instituciones (Lawson 2016). A su vez, discutiré la correspondiente y apropiación de mecanismos de acceso abierto por parte de las mismas compañías editoriales con fines de lucro, mediante estrategias de negocio como los cargos de procesos de publicación (APCs, por sus siglas en inglés), y los retos que esto implica particularmente para los investigadores en las áreas de ciencias sociales, artes y humanidades, y en específico para aquellos con afiliación en el sur global (Priego et al 2017). Finalmente, habiendo detallado lo que es un panorama complejo para las comunicaciones académicas, presentaré ejemplos de alternativas existentes y discutiré los crecientes retos y dilemas específicos a los diversos contextos del sur global.

[eng]

In this presentation I will discuss the reasons why we speak of “oligopolies of knowledge”, detailing the concentration of activity of academic communications (in this case, publications) via for profit publishing companies based in the global north, by authors with affiliation with universities in the global north and in the English language. I will refer to the work I have been doing in the last five years, documenting and mapping this localised and mostly monolingual concentration (with an emphasis on the digital humanities, Priego et al 2014, Priego and Fiormonte, 2016 and 2018) through alternative bibliometric methodologies (Alperin et al 2014), in order to draw attention to the correlation of the imbalances of this geopolitical concentration (Graham 2011, Fiormonte 2017) with closed modes of dissemination of high cost for institutions (Lawson 2016). In turn, I will discuss the corresponding and appropriation of open access mechanisms by the same for profit publishing companies, through business strategies such as Article Processing Charges (APCs) and the challenges that this implies particularly for researchers in the areas of social sciences, arts and humanities, and specifically for those with affiliations in the global south (Priego et al 2017; Eve and Priego 2018). Finally, having detailed what a complex picture for academic communications is, I will present examples of existing alternatives and discuss the growing challenges and dilemmas specific to the various contexts of the global South.

 

Referencias/References

Alperin, JP., Babini, D., Fischman, G. (eds.) 2014. Open access indicators and scholarly communications in Latin America (Buenos Aires: CLACSO, First edtion). Available in full text on the Web Virtual Library of CLACSO: http://www.biblioteca.clacso.edu.ar

Fiormonte, D. 2017. Digital Humanities and the Geopolitics of Knowledge. Digital Studies/Le champ num ́erique, 7(1). Available at: https://doi.org/10.16995/dscn.274

Fiormonte, E. & Priego, E., 2016. Knowledge Monopolies and Global Academic Publishing. The Winnower. Available at: https://doi.org/10.15200/winn.147220.00404

Graham, et al, M., 2011. Visualizing the uneven geographies of knowledge production and circulation. Global Higher Education, 14.9. Available at: https://globalhighered.wordpress.com/2011/09/14/visualizing-the-uneven-geographies-of-knowledge-production-and-circulation/

Lawson, S., Gray, J., Mauri, M., (2016). Opening the Black Box of Scholarly Communication Funding: A Public Data Infrastructure for Financial Flows in Academic Publishing. Open Library of Humanities. 2(1), p.e10. DOI: http://doi.org/10.16995/olh.72

Priego, E. and Fiormonte, D. 2018. Empire and Scholarly Communications. Multinational Monopolies of Knowledge and the Global South. Available at:
https://doi.org/10.6084/m9.figshare.6634484.v8

Priego, E.; Havemann, L.; Atenas, J. 2014 Source Dataset for Online Attention to Digital Humanities Publications (#DH2014 poster). Available at:
http://dx.doi.org/10.6084/m9.figshare.1094359

Priego, E. et al. 2014. Online Attention to Digital Humanities Publications (#DH2014 poster). Available at: https://doi.org/10.6084/m9.figshare.1094345.v1

Eve, M. and Priego, E. (2017). Who is Actually Harmed by Predatory Publishers?. tripleC: Communication, Capitalism & Critique. Open Access Journal for a Global Sustainable Information Society, 15(2), pp. 755-770. Available at: http://openaccess.city.ac.uk/id/eprint/18007

Priego, E. et al. 2017. Scholarly Publishing, Freedom of Information and Academic Self-Determination: The UNAM-Elsevier Case. Available at:
https://doi.org/10.6084/m9.figshare.5632657.v1

 

 

New Publication: The Question Concerning Comics as Technology: Gestell and Grid

Still from Rear Window (dir. Alfred Hitchcock 1954). © 1954 Universal Pictures.
Still from Rear Window (dir. Alfred Hitchcock 1954). © 1954 Universal Pictures.

This week saw the publication of a new journal article coauthored by Peter Wilkins and yours truly:

Priego, E. & Wilkins, P., (2018). The Question Concerning Comics as Technology: Gestell and Grid. The Comics Grid: Journal of Comics Scholarship. 8, p.16. DOI: http://doi.org/10.16995/cg.133

In glorious open access.

I have also deposited the article at the following open access repositories:

This article’s peer review and editorial processes were managed independently by Benoît Crucifix, Björn-Olav Dozo, and Aarnoud Rommens.

We are very grateful to the editors and peer reviewers for their rigorous, robust, extensive and thoughtful critical review and feedback, which enabled us to significantly improve the original submission into its present form.

We have had an overwhelmingly kind and positive response so far– thank you everyone for reading and for your feedback.

 

 

Documentary Film Screening: Paywall: The Business of Scholarship (2018)

Paywall documentary film promotional poster

 

In anticipation of Open Access Week 2018 (October 22-28 2018), we’d like to invite you to a free and public screening of the documentary film Paywall: The Business of Scholarship (dir. and prod. Jason Schmitt, 2018) at City, University of London, on Wednesday 17 October 2018 from 17:30.

This event is public and free but requires registration: https://www.eventbrite.co.uk/e/documentary-film-screening-paywall-the-business-of-scholarship-2018-tickets-49845449080

Map: https://www.city.ac.uk/visit#9541=1

Trailer 1 for Paywall: The Business of Scholarship embedded below:

Watch this and other trailers for the film at https://paywallthemovie.com/trailers.

The screening will be introduced by Yours Truly and hopefully followed by discussion, either there or at the pub.

For other screenings at universities worldwide, keep an eye on the listings at https://paywallthemovie.com/screenings.

Story of Books: Five Minutes With… Me!

Story of Books - Five Mintues With...

I am grateful to Salina Christmas for having interviewed me for Story of Books:

https://storyofbooks.co.uk/2018/06/01/five-minutes-with-dr-ernesto-priego-project-lead-parables-of-care/

I talked about Parables of Care, about the power of storytelling and superheroes, my comic and real-world heroes, etc. It’s quick!

Story Of Books is a journal published by GLUE Studio. It is about an object we love above all else, the book. Their focus is on the making of compelling storytelling and the making of the book.

Story Of Books began life as a Twitter hashtag for their London Design Festival 2011 event, “Whatever is to become of books?”

 

Presenting at The First USW Cardiff: Comics Symposium- Creating Comics, Creative Comics

Creating Comics, Creative Comics

Creating Comics, Creative Comics is a 2-day academic symposium taking place on Friday June 1st & Saturday June 2nd 2018 at the University of South Wales, Cardiff, United Kingdom.

I will make a presentation Saturday (panel 4) along Simon Grennan on a project we have been doing with Peter Wilkins et al. The title of our presentation is “Hypotactic correspondences between Yonkoma four panel manga, emotional ambiguity and story, in styling and drawing the comic Parables of Care: creative responses to dementia care (2018)”.

The First USW Cardiff: Comics Symposium is interested in creator’s perspectives. It will explore comics and creativity and will examine the practice of creating comics, and the particulars of storytelling in comics.

Does changing a panel, change the story? How might a medium’s materiality affect its construction and reception? How do the theoretical and philosophical objectives of the maker inform and frame the construction of the works?

This symposium addresses these needs from the point of view of the creators involved in the production and creation of comics.

Symposium Schedule

Friday 1st June

09:30 Symposium Registration: Registration Desk, The Street, Atrium

10:30 Symposium Welcome with FCI Deputy Dean, Huw Swayne

10:45 PANEL 1 ~ Philosophy, Communicating Concepts
Dr Peter Hodges, The Last Temptation: A Consideration of the Role of Sound in Comics
Xiyuan Tan, Guoxue Comics: Visualising Philosophical Concepts and Cultural Values Through Sequential Narrative
Ian Hornsby, UCOs, or Beyond the Marriage of Philosophy and Sequential Storytelling
Dr Nathan Kilburn, Practice as Research: The Visual Aphorism
Chair: Corrado Morgana

12:30 LUNCH

13:30 WORKSHOP
Chris Phillips, Creating Comics – 5 Page Red Riding Hood
With Geraint D’Arcy

14:30 PANEL 2 ~ Perception and Re/presentation
Jeannette D’Arcy, Creating Canon: Fun Home and Transmedial Adaptation
Dr Robert Hagan, Touch Me/Don’t Touch: Female Archetypes in Ann Nocenti’s Daredevil
Chair: Madelon Hoedt

15:30 KEYNOTE
Dr Julia Round, Anonymous Authors, Invisible Illustrators, and Collaborative Creation: Misty and British Girls’ Comics

Saturday 2nd June

09:15 DAY 2 Welcome

09:30 PANEL 3 ~ Practice-As-Research
Dr Paul Davies, New Choices of the Comics Creator
Ahmed Jameel, Studying Writer-Artist Comics Collaboration: A Practice Based-Approach
Dr John Miers, Fortuitous Realism at Work and Play: The Role of Imaginative Projection in Developing a Cartooning Practice
Chair: Brian Fagence

11:00 PANEL 4 ~ Comics, Parables of Care and the Medical Self
Tony Pickering, Diabetes Year One: Drawing my pathography: comics, poetry and the medical self.
Dr Enesto Priego, Dr Simon Grennan and Dr Peter Wilkins, Hypotactic correspondences between Yonkoma four panel manga, emotional ambiguity and story, in styling and drawing the comic Parables of Care: creative responses to dementia care (2018).
Chair: Emily Underwood-Lee

12:00 LUNCH

13:00
CICE PRACTITIONER PANEL
Jon Davis-Hunt and Rob Williams
With Brian Fagence

14:00 PANEL 5 ~ History, Memoir and Autoethnography
Nick Dodds, Reframing the Graphic Memoir: How can the comic-strip artist negotiate modality and fidelity in the depiction of personal and historical narratives?
Dr Simon Grennan, Drawing in Drag: self-observation, the dissenting subject and stylistic reformation in the production of a new pseudonymous comic album
Chair: Geraint D’Arcy

15:00 ROUND TABLE / PLENARY

15:30 SYMPOSIUM END

*In association with Cardiff Indie Comic Expo. Registration for the symposium grants entry to CICE Saturday 2nd June.

Registration link: https://www.eventbrite.co.uk/e/creating-comics-creative-comics-tickets-45194337480

ardiff Indie Comic Expo logo

Presenting at Open Access in the Humanities, University of Ljubljana

Open Access in the Humanities, : University of Ljubljana, Faculty of Arts

I will be presenting at the event Open Access in the Humanities event that will take place at the Faculty of Arts of the University of Ljubljana on 22 May 2018.

I will be participating in a panel discussion titled “How to establish open access in Slovenian academic publishing and researching?”.

The information and programme in English is available at http://www.ff.uni-lj.si/an/books/open_access_humanities.

Video streaming will also be available at the web page for the event (link above).

I would like to thank the Open Library of Humanities and the Faculty of Arts of the University of Ljubljana for making it possible for me to attend this event.

Open Library of Humanities logo

 

Open Scholarship Award (2018) Honorable Mention to Editors of The Comics Grid: Journal of Comics Scholarship

Canadian Social Knowledge Institute logo

I am delighted to share very happy news.

Dr Peter Wilkins and I have received an Open Scholarship Award 2018 Honorable Mention for our Comics Grid work.

The Open Scholarship Awards are sponsored by the Canadian Social Knowledge Institute and its partners.

From the announcement published by the Electronic Textual Cultures Lab (University of Victoria, Canada):

Open scholarship incorporates open access, open data, open education, and other related movements that have the potential to make scholarly work more efficient, more accessible, and more usable by those within and beyond the academy. By engaging with open practices for academic work, open scholarship shares that work more broadly and more publicly.

Nature of the Awards

Award recipients demonstrate exemplary open scholarship via research, projects, or initiatives. These awards are intended to acknowledge and celebrate exemplary open scholarship, nominated via an open process. In addition to the recognition of accomplishment that comes with such acknowledgement, the Canadian Social Knowledge Institute will also offer one tuition scholarship for each award recipient to the Digital Humanities Summer Institute (DHSI; dhsi.org).

The Canadian Social Knowledge Institute would like to thank Clare Apavoo (Canadian Research Knowledge Network), Alyssa Arbuckle (ETCL, U Victoria), Jon Bath (U Saskatchewan), Jonathan Bengtson (U Victoria), Rachel Hendry (Western Sydney U), Tanja Niemann (Érudit), Peter Severinson (Federation for the Humanities and Social Sciences), Ray Siemens (U Victoria), and Dan Sondheim (ETCL, U Victoria) for their involvement in the 2018 awards.

About the Canadian Social Knowledge Institute
The Canadian Social Knowledge Institute (C-SKI) actively engages issues related to networked open social scholarship: creating and disseminating research and research technologies in ways that are accessible and significant to a broad audience that includes specialists and active non-specialists. Representing, coordinating, and supporting the work of the Implementing New Knowledge Environments (INKE) Partnership, C-SKI activities include awareness raising, knowledge mobilization, training, public engagement, scholarly communication, and pertinent research and development on local, national, and international levels. Originated in 2015, C-SKI is located in the Electronic Textual Cultures Lab in the U Victoria Digital Scholarship Commons.

C-SKI’s partners, through INKE, include: Advanced Research Consortium (ARC), Canadian Association of Learned Journals (CALJ), Canadian Association of Research Libraries (CARL), Canadian Institute for Studies in Publishing (CISP), Canadian Research Knowledge Network (CRKN), Compute Canada, Canadian Writing Research Collaboratory (CWRC), Canadiana, Digital Humanities Research Group (DHRG; Western Sydney U), Digital Humanities Summer Institute (DHSI), Electronic Textual Cultures Lab (ETCL), Edith Cowan U, Érudit, Federation for the Humanities and Social Sciences, Iter: Gateway to the Renaissance, J.E. Halliwell Associates, Public Knowledge Project (PKP), Simon Fraser U Library, Society for the History of Authorship, Reading and Publishing (SHARP), Scholarly and Research Communication (SRC), U Victoria Libraries, and Voyant Tools, among others.

 

Priego and Wilkins’ Comics Grid [https://www.comicsgrid.com/] is a pioneering open access, open peer review academic journal dedicated to comics scholarship, promoting the area within academia and the general public via contributions that present specialised knowledge in an accessible language, publishing content licensed with a Creative Commons Attribution license. As a publishing platform The Comics Grid encourages digital research, public engagement and collaboration. By integrating with ORCID, and requesting that supplementary data is deposited in open access repositories, The Comics Grid introduces a new generation of scholars to open, reproducible research. It uses Ubiquity Press and the Open Library of Humanities as their publishers; working closely with their web developer and designer, Andy Byers, the journal employs Open Journal Systems with an overlay skin that offers an accessible (and dyslexia friendly) reading mode and a visual UI at both front- and back-end that improves the basic OJS and turns it into a user-friendlier platform that supports general and specialised readers as much as academic authors, editors and reviewers.

Read the full announcement at http://etcl.uvic.ca/?p=2086

Needless to say, this reconginition means a lot to us.

We would like to thank the colleagues who kindly nominated us, as well as everyone involved in the awards.

We would also like to congratulate all the winners and fellow honorable mentions, who have been for some time now an inspiration for our own work.

We would also like to give a sincere thank you to every single colleague who is or has been involved with The Comics Grid— the effort is collective and collaborative and everyone’s contribution remains crucial for the project. We share this honorable mention with you.

A special shout-out to everyone at Ubiquity Press and the Open Library of Humanities for believing in us. Thank you.

Last but not least an all-encompassing thank you to our partners and families for their love, encouragement, and support.

Onwards!

Presenting at HCID Open Day 2018: On Comics and Collaborative Art Practice as Human-Computer Interaction Methodology

The HCID Open Day 2018 is a mini conference on Friday 4th May run by the Centre for Human Computer Interaction Design (HCID) at City, University of London.

The theme for this year will be ‘Beyond the Screen’ and will focus on designing non screen based interactions, exploring technology that has made the jump from science fiction into reality and how UX thinking can be used for more than just interfaces.

I will present at the HCID Open Day 2018 as part of the knowledge exchange and impact activities around the Parables of Care project. My presentation is titled Meaningful Patterns: Comics and Collaborative Art Practice as HCI Research.’

Recent research has explored the use of collaborative art practice as a Human-Computer Interaction methodology (Kang et al 2014 and 2018; Benford et al 2013; Brynjarsdyttir et al 2013). In this talk I will describe how the Parables of Care project is employing collaborative comics-making as a user-centred methodology as a means to collect and disseminate data, reflect, design and propose strategies for dementia care.

I worked in partnership with Dr Simon Grennan of the University of Chester, Dr Peter Wilkins of Douglas College, Vancouver, Canada, an NHS Trust, and colleagues from HCID, leading the team to produce Parables of Care, that uses comics as a medium to evoke the kind of de-structured and re-structured experience of time that is akin to dementia, to illness, ageing and caring.

Register here: https://www.eventbrite.co.uk/e/hcid-open-day-2018-beyond-the-screen-tickets-44666147650

Hashtags: ;

Parables of Care is a project of the Centre for Human Computer Interaction Design, City, University of London, The University of Chester, UK, and Douglas College, Vancouver, Canada.

Parables of Care can be downloaded as a PDF file, under a Creative Commons Attribution-NonCommercial 4.0 International License, from City Research Online: http://openaccess.city.ac.uk/18245/.

If you live in the UK you can request printed copies at no cost here.