Sometimes academic publishing is like London buses. You wait for what it feels like an eternity and then suddenly three appear at the same time.
Yesterday the editorial my colleague Nicolas Pillai and I co-wrote was published on The Comics Grid: Journal of Comics Scholarship:
Pillai, N. & Priego, E., (2016). Brilliant Corners: Approaches to Jazz and Comics. The Comics Grid: Journal of Comics Scholarship. 6, p.12. DOI: http://doi.org/10.16995/cg.92
It’s been an absolute honour and pleasure to work on this project with Nic; stay tuned as there might be further collaborations! We were fortunate to get such exciting submissions for the collection.
Like all Comics Grid articles our editorial cited above is an open-access article distributed under the terms of the Creative Commons Attribution 4.0 International License (CC BY 4.0), which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited. You can read it online, and/or download the PDF or XML, openly and without restrictions. You are also free to share it, use it or reuse it without prior permissions as long as you attribute properly. (For more info see http://creativecommons.org/licenses/by/4.0/).
Unlike many open-access publishers, the OLH does not charge any author fees. This does not mean that their journals do not have costs. Costs are paid by an international library consortium.
If your institution is not currently supporting the platform, you could ask your librarian to sign up. The OLH is extremely cost effective and is a not-for-profit charity. However, while the OLH cannot function without financial support and they encourage universities to sign up, institutional commitment is not required to publish in any of their journals.
Over the last forty years, the fields of jazz studies and comic studies have gained currency within the academy and have been enriched by interdisciplinary approaches. The New Jazz Studies has invigorated the discipline beyond its musicological roots, while Comics Studies has thrived in the digital age.
The call for papers for this special collection was published on 30 July 2015 and the deadline for submissions was 15 January 2016. The articles in this collection have been published in the order in which they were ready for publication (i.e. not as a ‘bulk’ or single issue).
Yesterday we published a new addition to the collection:
Political, social, and cultural controversies are the main fodder of staff cartoonists at newspapers. From the serious to the silly, newspaper cartoonists are expected to comment on whatever happens to be in the news cycle on any day. This commentary creates both ephemera and historical evidence of events and their effects on society. This article investigates an incident at a jazz concert in Auckland in 1952 at which the musicians were charged with abusing the new Steinway grand piano and the following controversy about the jazz musicians’ use of town hall facilities. From this incident New Zealand Herald cartoonist Gordon Minhinnick responded with a cartoon and a comic strip about the debate. By examining Minhinnick’s contributions via the lens of cultural history we can apprehend the shape of this dispute (politically and culturally), how it impacted Auckland society, and also gain a sense about how jazz was perceived by society at large at that time. We can also see how Minhinnick used the debate to illustrate other important political issues facing Auckland at the time.
Keywords: history, jazz, jazz concert, New Zealand, politics
How to Cite: Ward, A., (2016). New Zealand Jazz Concerts, the Use and Abuse of Grand Pianos, and One Cartoonist’s Response. The Comics Grid: Journal of Comics Scholarship. 6, p.10. DOI: http://doi.org/10.16995/cg.75
Even though this particular collection is now closed to new submissions, The Comics Grid: Journal of Comics Scholarship receives submissions on an ongoing basis. More information at http://www.comicsgrid.com/about/submissions/.
If your institution is not currently supporting the platform, we request that you ask your librarian to sign up. The OLH is extremely cost effective and is a not-for-profit charity. However, while we cannot function without financial support and we encourage universities to sign up, institutional commitment is not required to publish with us.