Modern Times: A Quick Note on Editorial and Peer Review Work in Accelerated Publish-or-Perish Academic Cultures

Les temps modernes, by Pierre Metivier.  CC BY-NC
Les temps modernes, by Pierre Metivier. CC BY-NC

As the Editor-in-Chief of The Comics Grid: Journal of Comics Scholarship I receive via email the author queries sent via the journal’s contact form. The most frequent query is about the time it takes to get a decision and get published. It is quite telling about current academic publishing cultures that the how-soon-can-I-expect-to-get-published query outnumbers by far any queries seeking clarifications on the journal’s scope, peer review processes or journal guidelines.

Given that only today I received three different queries on the same subject, I’ve decided to document here a summary of my own personal editorial position on article processing times, and therefore on what I believe should ideally motivate authors to submit to the journal.

At The ComicsGrid, the estimated processing times information is publicly available in the relevant section in the journal at https://www.comicsgrid.com/about/submissions/. Hopefully that section provides enough information.

It’s worth saying again that processing times depend on a variety of factors (quality of the submission, adherence to guidelines, availability of peer reviewers, availability of editors, availability of authors to do revisions, copyediting, proofing; workload of typesetters and manuscript layout complexity, etc). These factors play out on an ad hoc basis and cannot be easily predicted nor guaranteed.

In my own editorial experience, the submissions to The Comics Grid that are more likely to get accepted relatively more quickly tend to be those that are submitted to the journal motivated by an interest in contributing relevant content to the journal, rather than those that are submitted under pressure or somehow motivated by an expectation of faster processing times.

As a researcher myself I totally understand and empathise with the pressures imposed by a publish-or-perish academic culture. Also as a researcher, I do fully understand the frustration that review and editorial decision waiting times can cause.

As both researchers and editors, the editorial team and pool of reviewers always-already aim for a professional, efficient, fair and relatively rapid peer review process, but this ‘rapidity’ is indeed relative and variable. However, we at The Comics Grid do seek to collaboratively develop a peer-reviewed journal where articles can be carefully, expertly and fairly considered. Apart from the required expertise, the main necessary resource to achieve that goal successfully is, I’m afraid, time.

We are very grateful to all authors who have considered The Comics Grid for a future submission.

On Taking the Time to Perceive, Think, Write, and Share as Self-Preservation

“Nostalgia is the critic’s heroin”

-Mark Fisher, k-punk, January 13 2005.

“What are the words you do not yet have? What do you need to say?”

-Audre Lorde, 1977

It must have been late 2003 when I first came across a blog titled ‘k-punk: Abstract Dynamics‘. At the time I did not know the author behind the blog was Mark Fisher. I was fascinated and intrigued by his interest in popular culture, hauntology, ‘the weird’, Joy Division, grime, science fiction. In retrospect, his early blogging, say, between 2003 and 2008, represents a golden age of blogging. It is not a coincidence that the 2008 financial crash would also see a systematic shift in the attention economy, microblogging taking the place that long-form blogging used to have.

I am brought back to k-punk because it helps me realise how privileged, and how necessary, was to have the time to think and to write in a personal-yet-public platform, not for the sake of academic assessment or pomotion, but as a public exercise of thinking as a work-in-progress, and, importantly, as a generous making public of  ways of reading and listening, of reading and listening as performative activities that required their own dedicated time and space. (Take, for example, this post about Ursula K Le Guin’s The Lathe of Heaven, or the conversational approach he took by addressing other bloggers with whom there was an ongoing dialogue, as in this post).

Fisher was often unapologetically obscure, and could come across as intellectually arrogant, but he was passionately disciplined in his blogging, and obsessively committed to cultural critique in its widest-yet-specific sense. Some of his posts were very short, sometimes limited to photographs or hyperlinks, other posts were proper essays, or notes towards longer pieces, or the re-sharing or further discussion of writing he had published elsewhere.

Looking back at his blog I am infused by a sense of nostalgia for this time in which taking the time was possible– I envied Fisher’s courage to just post, post, post, and to articulate complex theoretical arguments about apparently contradictory cultural artifacts (what do Fugazi and Beyoncé have in common?). Reading Audre Lorde recently, for example her essay ‘The Transformation of Silence into Language and Action’ (1977), I have also been reminded of the importance of taking the time to perceive, think, write, and share as a political act.  This could be abridged to taking the time as self-care.

The relentless automation of experience (I tried to refer to this in my previous post) has different manifestations, one of them being the enhanced competitivity of the attention economy and the acceleration and reduction of time and form, as represented by both Twitter and the maxi-minimalist how-many-minutes-will-it-take-me-to-read-this culture of Medium posts. Another manifestation is the increased popularity of vlogging and of videos as a form of pervasive-reality-TV that takes the role of baby sitter, tutor, news anchor, and all-round entertainment platform. Music streaming services and playlisting have prioritised mobile consumption, implying that media (music, film, TV, even writing) is ‘consumed’, at least in urban areas, ‘on the go’,  i.e. while doing something else.

It is in this setting that sitting down to listen to an album/LP, or a 7″ single, or a CD, or a tape, in real time and for the time it takes to play becomes a rarity, a luxury, an extravagance and a privilege. The same for sitting down and just reading a book or a magazine without being interrupted or distracted to do other things. Like taking the time to do Yoga or napping or meditating, listening to music or reading print publications requires a conscious pause or interruption from the 24/7 demands of our accelerated, automated present and endless should-have-submitted-yesterday to-do lists.

Just in case the clarification is needed: I am not in any way advocating switching off completely or for smartphone-free retreats; I believe that either/or discourse only perpetuates stress and anxieties. My point is rather to recognise that certain processes such as listening, reading and writing in a focused and concentrated way, on specific media that imply and require specific spatiotemporal performative conditions, requires, indeed, from a singular time and space, and that time and space is increasingly rare and more and more precious, to the point of feeling revolutionary, precisely because it breaks with the pragmatism, speed, order and flow of currently expected behavioural patterns.

These reflections are not, of course, anything new. However it still feels to me important, now that I’ve had the opportunity to reflect again on the conditions required for thinking about what’s around us, to find the time to reassign priorities. I have written about this before in more than one place: publish-or-perish cultures in academia, hand in hand with the aggressive marketisation and metrication of academic activity, leave less and less time, and space, to perceive, to reflect, to write, and, importantly, to share. It’s become a famous meme now, but Lorde’s words remain urgently powerful: “caring for myself is not self-indulgence, it is self-preservation, and that is an act of political warfare.”

It is indeed concerning that to take the time to do what is essential if one is in a profession that requires study, interpretation and analysis should become an act of self-preservation. But it is. Creating the circumstances in which taking the time to think, to write and to share for the sake of it and not for academic boxticking remains crucial if we want to remain not only motivated and inspired, but individually and socially healthy and therefore able to keep making contributions.

Mark Fisher is no longer with us, but his writing remains. I am not certain how long his blog will remain online– I am hoping it is preserved for future generations to consult. (Read Simon Reynolds about Fisher’s blogging here). After his passing, I wrote this. To me, at least, his blog remains as a reminder that in spite of changes in cultural perceptions, the importance of taking the time to focus on reading, on listening, on reflecting, on writing and sharing remains crucial: an act of self-preservation.


Update: Anthony Wilson has kindly compiled a list of blog posts and resources on the/posted during the USS Strike. Don’t miss it!